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Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 20. A little later in this interlude (Ex.99-103)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110-

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 24. One further motive belongs (Ex.121)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti

Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2)

Deryke Cooke, Wiener Philharmoniker, Sir Georg Solti