This intriguing album contains essentially all of tenor saxophonist
Johnny Sparrow's solo work, including sides he recorded with his group Johnny Sparrow & His Bows and Arrows between 1949 and 1955 for the Melford, National and Gotham record labels. Although he was essentially a trad jazz artist,
Sparrow flirts dangerously close to bop on some of these cuts, and at other times he seems to be working in an instrumental jump blues direction, and he even hints at merging bop and R&B in a fascinating hybrid on the wonderful "Drumming Up the Works." Other highlights include the soothing "Sparrow's Flight" and the odd, discordant but fun "Serenade to Satchmo" (
Sparrow played in
Louis Armstrong's band for a time before departing to start his own recording career). It doesn't add up to a large legacy, but what's here shows a transitional musician who wasn't afraid to stretch jazz into some new places, and there's an obvious and endearing joy underlying the playing on all of these cuts.