Following the success of his third album,
Lee Michaels continued the path of a solo artist -- solo meaning that most of the sounds on the record were primarily recorded by
Lee alone. Organ (Hammond and pipe), piano, harpsichord, and organ bass create a heavy, dense foundation.
Michaels had a unique sound, and along with his larynx-shredding vocals, the results are staggering. Aided by Joel Larson on drums,
Michaels does a lot of covers on this record -- including "Willie and the Hand Jive," "Ya Ya," and "Can I Get a Witness."
Michaels renders them all in an infectious, gospel style. There are only a few originals on the album, and one, "Do You Know What I Mean" (which really sounded like a cover), was a monstrous hit and cemented
Lee Michaels as one of the best white blues performers of the period, along with
Joe Cocker and
Steve Winwood. ~ Matthew Greenwald