After debuting in 2011 with the evocative
If..., a largely orchestral, all-instrumental set inspired by author Italo Calvino's 1979 post-modernist novel If on a Winter's Night a Traveler, former
Coral guitarist
Bill Ryder-Jones seemed poised to go the film score route, which he had shown interest in shortly after leaving his flagship band. Instead, he released the lovely
A Bad Wind Blows in My Heart, an equally evocative, yet more traditional collection of songs that suggest what
Nick Drake might have sounded like had he emerged in the early aughts instead of the late '60s. Measured, melancholy, and mysterious,
Jones' debut as a singer/songwriter is as subtle as it is striking, skillfully marrying the sedate melancholy of
Elliott Smith with the sly, darkly comic lyricism of
the National. Recorded in his old childhood bedroom in his mother's house in Liverpool,
A Bad Wind Blows in My Heart can feel a bit like an exorcism, and there's an extra shade of intimacy to stand-out cuts like the sad and sensual "Hanging Song," the wry,
Luke Haines-inspired "You're Getting Like Your Sister," and the impossibly lonesome "There's a World Between Us," the latter of which is one of a few songs that threatens to break into
Chris Isaak's "Wicked Game" at any moment, but it never feels like a self-absorbed, autobiographical bore, as
Jones' is an enigmatic enough narrator and a gifted enough arranger that what initially seems like ephemera turns out to be surprisingly affecting. ~ James Christopher Monger