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(C) 2022 Glossa
Title
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Time
6 Ariettes, Op. 1 (Version for Voice & Piano) - Luigi Marchesi
No. 1, Nice mia, oh Dio, rammenta
Francesca Cassinari, Stile Galante, Andrea Friggi
03:49
No. 2, Che ciascun per te sospiri
03:06
No. 3, Sembianze amabili
03:14
6 Ariettes, Op. 11 - Luigi Marchesi
No. 5, Auretta grata
02:05
Variations on a Piemontois Air (Arr. A. Krumpholtz for Harp) - Martin-pierre Dalvimare
Variations on a Piemontois Air (Arr. A. Krumpholtz for Harp)
Stile Galante, Chiara Granata
08:21
No. 1, Tu che parli all'idol mio
02:44
No. 3, Che fa il mio bene?
02:57
No. 4, Non è ver che l'ira insegni
02:07
6 Duets, Op. 5 No. 1 (Version for 2 Cellos) - James Cervetto
I. Allegro
Stile Galante, Agnieszka Oszańca, Giulia Gillio Gianetta
07:06
II. Aria. Andantino
06:12
III. Allegro
03:56
No. 5, Son vicino al ben che adoro
01:56
No. 6, Il capriccio
02:15
No. 4, Ah, furbicel d'Amore
02:30
Piano Sonata in F Major, Op. 2 - Katerina Veronika Anna Dusíková
I. Allegro moderato
Stile Galante, Andrea Friggi
05:58
II. Adeste Fideles with 5 Variations
06:47
III. Waltz. Allegro moderato
03:22
No. 6, Se guido il gregge al prato
01:28
No. 2, Se mai di lei t'accendi
02:00
Minuet & Variations (Arr. A. Krumpholtz for Harp) - Jean-baptiste Krumpholz
Minuet & Variations (Arr. A. Krumpholtz for Harp)
09:03
Five years ago, Stile Galante dedicated a recording with the renowned Swedish mezzosoprano Ann Hallenberg to the celebrated soprano castrato Luigi Marchesi (1754-1829). Accompanied by soprano Francesca Cassinari, Stile Galante is now going back to this extraordinary musician and presents his work as a composer of chamber vocal music. Marchesi published during his stay in London two different collections of ariettas with fortepiano and harp accompaniment. The Ariette Op. 1 and Op. 2 are sweet musical cameos dominated by remarkable elegance. They perfectly embody the taste of the time and represent Marchesi’s wish to use his popularity as an opera singer to push in front of the audience a more all-round image of himself as an artist. The program is rounded off with brilliant instrumental pieces for fortepiano and harps by female composers Anne-Marie Krumpholz (1766-1824) and Veronika Rosalia Cianchettini (1769–1833) who worked with Marchesi in London. © Glossa
by Francesca Cassinari, Stile Galante, Andrea Friggi
by Stile Galante, Chiara Granata
by Stile Galante, Agnieszka Oszańca, Giulia Gillio Gianetta
by Stile Galante, Andrea Friggi
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