Though labeled as a
Cannonball Adderley Quintet session, this is actually a workout with a percussion section loaded with African drums, a big band, and in spots, voices -- all unidentified. Nevertheless, this is one of the best and most overlooked of the
Cannonball Adderley Capitols, a rumbling session that bursts with the joy of working in an unfamiliar yet vital rhythmic context.
Cannonball turns in one of his swinging-est solos through a Varitone electronic attachment on
Caiphus Semenya's "Gumba Gumba" and "Marabi" is a real hip-jiggler; you can't sit still through it. Other highlights include Cannon preaching blue smoke in his own Afro-Cuban-blues-flavored "Hamba Nami," a dignified trip through
Wes Montgomery's "Up and At It," and
Nat Adderley's commanding work on cornet at all times. ~ Richard S. Ginell