Most new-century boy-girl duos seem intent on making as loud a racket as possible, if the
White Stripes,
Quasi, or
Viva Voce are any yardstick. Not so North Carolina husband-and-wife team
Joe and
April Diaco, who lull listeners into a state of ecstatic bliss via their debut's lush, stately paced dream pop. Evoking the sensuous sounds and introspective lyrics of 4AD or Projekt forebears like
Mazzy Star and
Love Spirals Downward, the Diacos' Myspace demos were also unique enough to attract the interest of dream pop guru
Mark Kramer (Shimmy Disc), who publicly raved about
Alt-Ctrl-Sleep and offered to produce the band's debut. Logistics kept that from happening and the band produced it themselves, though the internet demos resulted in their signing to Lakeshore Records. It's easy to hear what attracted
Kramer and Lakeshore -- gently undulating melodies cocooned in layers of reverbed guitar, keys, and
Joe's pleasantly processed vocals, augmented at seemingly all the right moments by organic instrumentation (particularly glockenspiel) or various synth layers, and pushed along by
April's subtle brush strokes and cymbal crashes. The melodies tend to enter and slowly add volume and texture, patiently building to a crescendo before unwinding one layer at a time into swirls of synth buzz, simple narratives of love and longing slipping past like half-remembered dreams. Despite the record's holistic feel, there are variations enough to keep the songs sounding fresh throughout: the spacy "You Alone" or "Satellites (Venus to Mars)" could have come across the pond with
Spiritualized; "Kandy" has the spot-on accoutrements typically associated with the studio tinkering of
Sparklehorse's
Mark Linkous, and when the duo synch their voices together on "Nothing" it suggests
Summer Sun Yo La Tengo. One or two tracks could have been lopped off without much anguish, but the Diacos' create such a blissed-out vibe you're far more likely to just get lost in it than worry about the running time.