In this quick follow-up to his solo piano date So Far,
Jackson combines his piano with organ overdubs; this sound, combined with violinist
Christian Howes, makes for an arresting and unique new sonority. Electric bassist
Richard Bona, drummer
Jack DeJohnette, and percussionist
Mino Cinelu hold down the fort of rhythmic variety, and
James Carter plays saxophone on a few cuts.
Jackson wrote and arranged all of the material.
The first two pieces of the ten tracks really set the tone. The opener, "Spring Song," is a kinetic, fast samba with the collective whole, adding
Howes on acoustic guitar as well as violin. It clearly defines
Jackson's idealistic approach, buoyed by the churning percussion of
DeJohnette and
Cinelu. A swirling ostinato organ riff on the second cut, "Pat," leads to beautiful music inspired by
Pat Metheny.
Jackson's use of odd meters comes through on both the heavy, seven-beat calypso-blues pattern during "Carnivale" and the piano-oriented, breezy 5/4 of "Her Song." Gospel piano introduces "Water Dance," which employs another 5/4, classically tinged theme very much like chamber jazz, and that same gospel flavor shades the pop instrumental "Church," which takes on chameleonic dynamics that are difficult to peg or pigeonhole.
Carter's squawky, overblown soprano sax, with
Howes' violin attempting to match it, cements the hard bopping duel for "Showcase Blues," with
Jackson's organ standing back while the front-liners extrapolate on lines that suggest the melody of "I Found a New Baby." On the loose free bopper "Dewey's Groove" (for
Dewey Redman),
Carter's histrionics inspire
Jackson to go into his recognizable,
Don Pullen-like freneticism. The remaining two pieces are the title track, a power-pop ballad with over nine minutes of primarily solos, and the pop ballad "Simple Song" with
Bona's tiny, delicate,
Milton Nascimento-styled ethno singing.
The high moments of this recording serve notice to the concept of original music being made in this modern era. Though not a complete, fully realized statement, there's enough here to suggest that
Jackson is onto something with this approach. ~ Michael G. Nastos