After
Captain Sensible left
the Damned in 1984 when his solo career took off with the freak success of his single "Happy Talk,"
Dave Vanian took over the creative reins of the group, and he began nudging their music in a direction that reflected his growing interest in the goth movement. The Damned's flirtation with goth led to them signing a major label deal for the first time and enjoying one of their biggest commercial successes with the 1985 album
Phantasmagoria. But if that album found
the Damned looking gingerly into a new direction, 1986's
Anything was the sound of
Vanian and company falling down a well; fans were probably savvy enough not to expect
the Damned to sound like a straightforward punk band by this point, but most of
Anything barely even qualifies as rock 'n' roll. The solo keyboard piece "The Portrait" bears an unfortunate resemblance to
Nigel Tufnel's "Lick My Love Pump," "Restless" and "In Dulce Decorum" meander at length for all their thunder (and
John Kelly's echoing production makes everything thunders if it's meant to or not), "Gigolo" suggests a failed merger of pop and prog rock, and "The Girl Goes Down" is a faintly ridiculous song that borrows from a number of vintage pop styles without distinction. Only "Psychomania" and the title cut generate anything approximating the energy of
the Damned's best music, and it's telling that easily the best song on the album is a cover, a reasonably faithful rendition of
Love's "Alone Again Or." The Damned began to crumble after
Anything, and the band broke up for a spell in 1989; somehow it all seemed fitting after releasing the worst original album in the group's catalog.