Hailing from Saskatoon, Saskatchewan in the northern nation of Canada, one could easily assume that Eekwol is the female version of rural Canadian backpack superstar Buck 65. But aside from carrying the same color currency in their wallets, the correlations are tenuous at best. For while Buck 65 is known for his metaphorically poetic blues-based raps, Eekwol offers a much more straightforward approach to indie hip-hop, posting up a stellar blend of dusty boom-bap and analog-heavy club rushes. Driven at least in part by her brother/producer Mils, who is already an established beatmaker to clock, with recordings for L.A. underground giants Luckyiam PSC, the Grouch and member of the Living Legends under his belt, she presents a tough front in her tone and content, although her vocal style occasionally slips from tough chic to a more poppy sultry whine. But these quick moments of what might be considered weakness are the exception, with "Too Sick" offering a bare look at an abused woman contradicted by Eekwol's toughest vocal approach. The record does make brief nods to the Aboriginal peoples of this pairs' home, with powwow singing opening the record and a quick appearance from award winning Aboriginal singer Marc Longjohn on the too brief "Apology." But this should not be shunted off as "Canadian hip-hop." Eekwol comes ready for global indie hip-hop acceptance, and appears to have the skills and the relations to achieve it.
© Joshua Glazer /TiVo