Lost amidst all of the big hits he had with
Daryl Hall is the fact that
John Oates started his career as a folkie.
Oates hasn't forgotten this fact and has sometimes returned to the sound in his solo work, but he's never devoted an entire album to the kind of folk that was popular in '60s coffeehouses until 2018's
Arkansas. Working with an exceptional cast of players including mandolinist
Sam Bush and guitarist
Guthrie Trapp,
Oates concentrates on the music coming out of the Mississippi Delta, dabbling in the blues, bluegrass, and ragtime, but generally rooting himself in earnest folk that isn't far removed from the softer moments on
Whole Oats. What keeps
Arkansas from being a throwback is both
Oates' focus -- this coheres musically and thematically in a way his solo records often don't -- and how his light, relaxed touch is mirrored by his group of pros. The entire affair is so casual and nimble, it's easy to take its sly eclecticism for granted, but that's also the charm of
Arkansas: it's a warm, inviting affair that doesn't demand attention but nevertheless rewards it. ~ Stephen Thomas Erlewine