Chuck Jackson's failure at Motown had little to do with the material, and everything to do with the choices for singles and lackluster promotion. "(You Can't Let the Boy Overpower) The Man in You" did nothing for either
the Miracles or
Jackson; it was the only single released from this set of 12 above-average tracks. Better choices for singles were the heart-rending ballad "Who You Gonna Run To," the grooving "We'll Find a Way," the explosive "Ain't No Sun Since You've Been Gone," "Lonely, Lonely Man Am I," or "Your Wonderful Love."
Jackson's baritone is as robust as it was on his Wand recordings, where he enjoyed his greatest success. ~ Andrew Hamilton