If Dr. Byrds & Mr. Hyde found
Roger McGuinn having to re-create
the Byrds after massive personnel turnovers (and not having an easy time of it),
Ballad of Easy Rider was the album where the new lineup really hit its stride. Gracefully moving back and forth between serene folk-rock (the title cut, still one of
McGuinn's most beautiful melodies), sure-footed rock & roll ("Jesus Is Just All Right"), heartfelt country-rock ("Oil In My Lamp" and "Tulsa County"), and even a dash of R&B (the unexpectedly funky "Fido," which even features a percussion solo),
Ballad of Easy Rider sounds confident and committed where Dr. Byrds & Mr. Hyde often seemed tentative. The band sounds tight, self-assured, and fully in touch with the music's emotional palette, and
Clarence White's guitar work is truly a pleasure to hear (if
Roger McGuinn's fabled 12-string work seems to take a back seat to
White's superb string bends, it is doubtful that any but the most fanatical fans would think to object). While not generally regarded as one of the group's major works, in retrospect this release stands alongside
Untitled as the finest work of
the Byrds' final period.