Though "stopgaps" between albums are rarely significant, this one is. They call it an EP; at eight songs and 36 minutes, it's really a mini-LP, and it has stayed on this writer's turntable as long as their typically inspired ninth LP, 2005's
Carnival, did. Its titular track is
Carnival's gripping basher, a rhythmically interesting powder keg that evokes urban underclass resistance, remixed to play up its harsh leading edge (remarkable for any band, let alone one that's 27 years old). The rest are seven highly interesting recent import B-sides: a beautiful, restful vocal version of an old acoustic instrumental, the (vinyl-only)
Strange Brotherhood rarity, "Caslen"; a reggae remix of
Carnival's "Bluebeat"; two uniquely hot new songs (in keeping with
NMA's sterling record of fantastic B-sides -- see 1994's great B-Sides & Abandoned Tracks) -- the raucous "Rumor & Rapture (1650)" and the hot 'n' cool simmering "One Bullet"; and three live tracks from the Taubertal Festival in Rothenberg, Germany, August 13, 2006, that remind you of what a frighteningly hot live act
NMA remain. Throughout, their prime qualities sparkle: their ability to rock no matter how fast, slow, loud, or quiet;
Justin Sullivan's cunning intelligence about protest music as well as an overriding empathy (the two come to a mash on the live "Another Imperial Day," when he spits like a disillusioned immigration officer, "Guns are free to move but not people/Money is free to move but not people"); and tight playing and a fiery commitment that burns within everything they do.
BD3 is a powerful and varied experience for fans and newcomers alike. ~ Jack Rabid