After having recorded Beethoven’s entire sonata catalogue in mono between 1950 and 1953, Wilhelm Backhaus, at DECCA’s request, delivered a second version of this album, between 1958 and 1969, this time in stereo and re-released on Qobuz in Hi-Res. But Backhaus would not live to see the recording of Sonata n°29 "Hammerklavier", a great shame as he was an outstanding interpreter of this piece - Beethoven (and Brahms) was his favourite composer.
According to those who saw his live performances, it was in public that Backhaus’s artistic spontaneity shined. The richness and power of his performances are clear in the rare live recordings available. Indeed, his studio recordings presented a much more restricted and controlled musician, less taken by Beethoven’s musical momentum, which he performed so spectacularly. Backhaus’s discography remains to this day a great testament and an ode to Beethoven’s music.