Each time
Marianne Faithfull issues a recording, fans and pundits hold their breaths waiting for another outing as iconoclastic as
Broken English.
Before the Poison isn't it for a number of reasons, quality not being one of them. Simply put,
Before the Poison is an album that concerns itself with both sides of love, friendship, and redemption, not desolation or desperation. That said, there is plenty of human shadow in these ten songs.
Polly Harvey wrote three songs here, co-wrote a pair with
Faithfull, and is present on all of them.
Nick Cave co-wrote three with the singer and his
Bad Seeds back her on these tracks. She also co-wrote one apiece with
Blur's
Damon Albarn and composer
Jon Brion. Along with
Harvey and
Cave,
Rob Ellis and
Hal Willner aided in production. Therefore,
Before the Poison, like its predecessor,
Kissin' Time, is an album of collaborations. But unlike that offering, this one is seamless; its songs are sequenced impeccably and all feel of a piece linked by emotional thematics.
Harvey's songs are all moving and beautiful.
Faithfull's reading of "No Child of Mine," a track that appeared on
PJ's own last album,
Uh Huh Her, has more depth and texture than the original.
Harvey is pushing it on, underneath, her signature guitar sound ushering in each line as
Faithfull -- in fantastic voice throughout -- does a call and response with herself until the refrain, when
Harvey harmonizes and adds dimension to the stark loss and resignation uttered with great empathy and even tenderness. On "The Mystery of Love," which opens the set,
Faithfull brings the weight of her life experience to
Harvey's poetic lyric and opens its fathomless heart. On
Cave's "Crazy Love," the lyric could have accompanied the footage in
Wim Wenders' Wings of Desire. As
Faithfull paints the skeletal portraits of the song's protagonists who move around the chessboard of life, she gets to the refrain where the tune splits wide and, as
Warren Ellis' raggedly elegant violin sweeps above the rest, the singers offers a poetic truth from her own life: "Crazy love is all around me/Love is crazy, love is kind/But I know somehow you'll find me/Love is crazy, love is blind." On
Albarn's "Last Song," possibility has passed into memory amid the swell of strings, tambourines, and acoustic pianos. It's a devastating track, and
Faithfull sings with an authority that can only be borne by a witness. The disc closes with "City of Quartz," written with
Brion. It's a fractured, slightly off-kilter waltz that could have easily appeared on
Blazing Away or even as an outtake from
20th Century Blues. The notion of time's passage is in the present tense here, as strings enter amid the chimes underscoring longing, and the acceptance of human need.
Before the Poison is poetic and unnerving; it stands alone in her catalog in the same way that
Broken English did -- but this time, on the other side of the mirror.