Though it seems primarily like a bone thrown to those fans wishing that
Cex were still focused on the abstract, instrumental electronica of his earlier releases rather than the wide-ranging stylistic exploration and idiosyncratic lyrical self-absorption he has pursued since, the
Instrumentals version of his 2003 emo-pop-rap-tronica album
Being Ridden works as much more than a throwaway for trainspotters. It should certainly appease those fans, especially since this work is actually more musically inventive and more consistently engaging than his first few albums, but it's a very worthwhile listen for fans of
Cex's work in general, as it's a great reminder of how much his production talents continue to bolster his music. Stripped of their lyrical focus, a few of these pieces feel slightly underdeveloped and overlong, but most of them are intricate and melodic enough to sustain interest easily, particularly given their song-based compositional structures, and don't feel like they're missing anything. A few of the numbers that felt cluttered and claustrophobic in their original versions -- particularly "Brer Rjyan" and "Dead Bodies" -- are actually more effective here with some room to breathe, revealing layers of complexity that were previously obscured. As with many of these pieces, they combine rough-hewn acoustic guitar work with glitchy beats and other electronic elements, resulting in something comparable to the folktronic style of
Four Tet and
Caribou. It's worth noting that this is not a track-for-track retread of the original album: the
Venetian Snares-produced "Stamina" is AWOL, and the three already-instrumental tracks are also omitted (sensibly enough, but somewhat regrettably since they were lovely pieces that got somewhat overshadowed by the vocal tracks); these are replaced with a couple of new instrumentals, most notably the loping "Bad Girls" and the very lovely pop-ambient "My Hands Switched with Mannequin Hands." Taken as an incidental return to Rjyan Kidwell's IDM heyday, or merely a sideline curio of outtakes,
Being Ridden Instrumentals makes an inessential but still highly enjoyable entry in the
Cex oeuvre. ~ K. Ross Hoffman