Though born in New Jersey, smooth soul diva
Madeline Bell enjoyed her greatest success in the United Kingdom (where she began living in 1963), and her first album, 1967's
Bell's a Poppin', is a thoroughly enjoyable example of British pop record-making at its most poised and professional.
Bell had a world-class voice and sang supper-club soul in the manner of
Dionne Warwick and
Dusty Springfield (the latter of whom was a friend of
Bell's and often used her as a backing vocalist); those looking for Southern soul grit will be disappointed, but
Bell's a Poppin' is a marvelous example of the British equivalent of Brill Building pop. The arrangements are clever and sophisticated, the musicians are spot-on throughout, producer
John Franz adds just the right amount of polish without rubbing away the personality of the music, and
Bell's vocals tell a story just beautifully, boasting smarts and understated passion while maintaining a firm sense of control and balance throughout.
Franz also rounded up some great songs for
Bell, with Doc Pomus & Mort Shuman, Burt Bacharach & Hal David,
John Sebastian, and
Nick Ashford & Valerie Simpson among the tunesmiths represented on this disc. Fans of the slicker side of Northern soul and great mid-'60s pop-soul will delight in
Bell's a Poppin'. [RPM's 2004 reissue adds a handful of non-LP singles that are every bit as enjoyable, especially "Don't Come Running to Me" and an interesting cover of
the Beatles' "You Won't See Me."] ~ Mark Deming