Fans of
the Bicycles and their gentle brand of indie pop need to get on board with
Bunny right away. Fronted by that band's
Drew Smith and featuring appearances from almost everyone else,
Bunny's self-titled debut album is a sunny, funny, and sweet indie pop treat of a record filled with lilting melodies, lovely vocals, snappy tunes, and smart lyrics.
Smith rounded up a core band of bassist
Andrew Scott (of
the Bicycles), keyboardist
Dan Werb, guitarist
Jordan Howard, and drummer
Jay Anderson, then called in every favor he had to round up an impressive cast of characters including
Marker Starling's
Chris Cummings,
the Elwins'
Travis Stokl,
Chris Sandes of
Comet Control,
By Divine Right's José Contreras, and
Brent Randall (aka
Gentle Brent). This killer lineup adds plenty of color to
Smith's already bright and bubbly tunes; the combination of songs, voices, and arrangements puts the record somewhere between
The Point,
Pet Sounds, and a
Christopher Cross single. There's a candy-coated smoothness to both the songs and the sound that makes them go down smoothly, and
Smith's sometimes goofy dork-next-door vocals give it a
Paul Williams-esque charm. Add in the occasional pedal steel, guest female lead vocal (on the album highlight "If You Wanna Be My Boy, You Gotta Be Cool," which sounds like a blown-out
Bicycles tune, and the swooning '50s-style ballad "If Only in a Dream"), and classic chamber pop instruments like vibraphone and flute, and it's clear that
Smith was looking to make a classic album. After one listen, it's clear that he (and his cadre of friends) came really close. Maybe a step below
the Bicycles' timeless
The Good the Bad and the Cuddly, but not too far off. Certainly fans of
the Bicycles will love
Bunny; so will anyone who loves pure pop with smarts and sweetness.