This debut long-player from
Canned Heat was issued shortly after their appearance at the Monterey International Pop Music Festival. That performance, for all intents and purposes, was not only the combo's entrée into the burgeoning underground rock & roll scene, but was also among the first high-profile showcases to garner national and international attention. The quartet featured on
Canned Heat (1967) includes the unique personnel of
Alan "Blind Owl" Wilson (guitar/vocals),
Larry "The Mole" Taylor (bass),
Henry "Sunflower" Vestine (guitar),
Bob "The Bear" Hite (vocals), and
Frank Cook (drums).
Cook's tenure with the
Heat would be exceedingly brief, however, as he was replaced by
Aldolfo "Fido" Dela Parra (drums) a few months later. Although their blues might have suggested that the aggregate hailed from the likes of Chicago or Memphis,
Canned Heat actually formed in the Los Angeles suburb of Topanga Canyon, where they were contemporaries of other up-and-coming rockers
Spirit and
Kaleidoscope.
Wilson and
Hite's almost scholarly approach created a unique synthesis when blended with the band's amplified rock & roll. After their initial studio sessions in April of 1967 produced favorable demos, they returned several weeks later to begin work in earnest on this platter. The dearth of original material on
Canned Heat was less of a result of any songwriting deficiencies, but rather exemplifies their authentic renderings of traditionals such as the open-throttled boogie of "Rollin' and Tumblin'" -- which is rightfully recognized as having been derived from the
Muddy Waters arrangement. Similarly, a rousing reading of
Robert Johnson's "Dust My Broom" is co-credited to
Elmore James. Blues aficionados will undoubtedly notice references to a pair of
Howlin' Wolf classics -- "Smokestack Lightning" as well as "I Asked for Water (She Gave Me Gasoline)" -- as part of the rambling "Road Song." While decidedly more obscure to the casual listener,
Eddie "Guitar Slim" Jones "Story of My Life" is both a high point on this recording, as well as one of the fiercest renditions ever committed to tape. Until a thorough overhaul of
Canned Heat's catalog materializes, this title can be found on the
Canned Heat/Boogie With Canned Heat (2003) two-fer that couples this title with their 1968 follow-up.