Since the release of
Sudori with his Sud Ensemble in 1995, Italian trumpeter
Pino Minafra remained discreet as a leader, preferring to blend his voice among others in large-scale groups like the Italian Instabile Orchestra,
Gianluigi Trovesi's octet, and Bruno Tommaso and
Michel Godard's ensembles.
Canto Libero sees him back in the leader's chair, but facing a quasi-free improv quartet.
Canto Libero translates to "free singing," but this is not a conversion to abstract free-form.
Minafra's Mediterranean lyricism, playfulness, and most of all jazz upbringing are still part of his game. He even brought a few melodies along, platforms to jump from or land on, including "Tango," a highlight from
Sudori. Even when playing free, this quartet keeps it tonal and often beat-driven. In "El Zorro," for example, pianist
Giorgio Occhipinti improvises a paso-doble quickly picked up by drummer
Vincenzo Mazzone, one of Italy's unsung heroes. Alto saxophonist Sandro Satta completes the formation -- he's the one pushing
Minafra out of the frame, dragging him by the bell of his trumpet into freer grounds. In the end, the debate between composition and improvisation matters little: the energy and sense of camaraderie oozing from this CD are enough compensation for the fact that the players, knowing each other so well, tend to fall into a predictable rut. What they do, they do very well and with contagious pleasure.
Canto Libero was recorded live at Banlieues Bleues in Paris, March 28, 2000. ~ François Couture