The swing era and pre-bop jazz age of the '40s was a zenith for Capitol Records, which was jumpin' not only on radios and jukeboxes nationwide, but at cash registers as well. This third volume in the venerable label's
From the Vaults series is an indispensable guide to Capitol's ever-increasing talent roster, highlighting this unique period in American popular music. Aptly subtitled
Capitol Jumps, the album does considerably more, ranging from the erudite cool of
the Nat "King" Cole Trio on "Sweet Loraine" to decidedly more "alternative" bop classics such as
Dizzy Gillespie's "You Stole My Wife You Horse Thief." On the lighter side are remnants of big-band orchestras led by
Benny Goodman ("On a Slow Boat to China") and
Johnny Mercer ("One More for My Baby (And One More for the Road)"). The passing of the pop music baton from big band to jazz is reflected in this volume most notably by
the Four Freshmen's brilliant interpretation of "Tuxedo Junction" and the intoxicating one-two punch of
Ella Mae Morse's "Buzz Me" and "Juice Head Baby by
Cootie Williams & His Orchestra, featuring vocalist
Eddie "Cleanhead" Vinson. One trend continuing for Capitol was that of hitmaker. Among the seven Top 40 hits on
Capitol From the Vaults, Vol. 3 are
Alvino Rey's ultra-danceable "Cement Mixer (Put-Ti, Put-Ti),"
Benny Carter & His Orchestra with "Poinciana," and the
Johnny Mercer conducted orchestra on "My Sugar Is So Refined." This all-star recording also features labelmates
the Pied Pipers, accompanied by
Paul Weston & His Orchestra. As with other volumes in this collection, the sonic transfer is superior, making it an essential component to any comprehensive overview of American popular music. The 12-page liner notes booklet contains lots of memorabilia wrapped around another installment of
Billy Vera's informative essays. ~ Lindsay Planer