Although he was one of the burgeoning salsa movement's brightest stars in the late '60s, thanks to pivotal work with
Joe Cuba and
Eddie Palmieri (among others),
Cheo Feliciano hit bottom not long after, due to drug addiction. Vowing to quit cold turkey, he entered rehab near the end of the decade and emerged one year later with
Cheo, his first solo album and a powerhouse work. He reveals many shades of his personal problems, more along the lines of grief ("Mi Triste Problema") and lost love (his own composition, "Pienso en Ti"). It's no surprise that salsa's biggest stars were eager to help, and
Cheo benefits from the contributions of an incredible band, including
Johnny Pacheco,
Larry Harlow,
Bobby Valentin, and
Louie Ramirez (the contributions of
Ramirez on vibes is especially welcome), plus a coro including
Ismael Quintana and
Justo Betancourt. The main contributor to
Feliciano's vision for his "comeback" album, however, was
Tite Curet Alonso, the composer of six songs here (including the two biggest landmarks: the salsa standard "Anacaona" and "Mi Triste Problema"). Curet Alonso was not only one of the most famous salsa composers of all time, but a personal friend of
Feliciano's who saw him through his treatment, making his work here among the most treasured of his professional life. ~ John Bush