The epitome of cool,
the Brecker Brothers were one of best-selling jazz fusion outfits of the mid-'70s to the early '80s.
Randy Brecker (trumpet/flügelhorn) and
Michael Brecker (tenor sax) were ubiquitous session players and also members of the New York band
Dreams. By the mid-'70s, they started recording under their own name. Their subsequent albums,
The Brecker Brothers,
Don't Stop the Music, and the live
Heavy Metal Be-Bop all find the group doing challenging melodies in a genre that often played it too stupid.
Detente finds them during a time when jazz playing was starting to get more lucrative. Keyboardist and producer
George Duke was behind the boards for
Detente. Although
the Brecker Brothers and
Duke are probably mainstays in any jazz fusion collection, their styles aren't analogous. Some of the tracks here clearly prove that point. "You Ga (Ta Give It)" and "Not Tonight" both come off as a little too radio-friendly. Not surprisingly, the best cuts here have both the classic intelligent
Brecker Brothers sound as well as
George Duke's production prowess. The sophisticated and funky "Tee'd Off" gets
the Brecker Brothers on more familiar terrain and features a sinewy guitar solo from the underrated
Hiram Bullock. The highly charged "Squish" and "Baffled" both display
Randy Brecker's singular arranging skills. "Dream Theme," arranged by
Michael Brecker, is the album's best song, reflective yet not melancholy, with his saxophone felt and flawless throughout. The last track, "I Don't Know Either," has solos from both of
the Brecker Brothers, and displays the level of skill that many jazz outfits simply didn't possess.
Detente features work from a litany of jazz players, including
Neil Jason and
Steve Jordan in addition to
Duke. Despite a few lukewarm tracks,
Detente is well worth picking up. ~ Jason Elias