"No one gets a twilight to their career any more,"
Doug Enkler howls three songs into
Prisonshake's
Dirty Moons. "No one gets the chance to make mediocre album number four/ When they bring back the cut-out bin/Save a spot for us, right behind
the Pretty Things." The mere fact that
Enkler mentions record stores as he rants about the sad state of rock will date this tune in the eyes of many, but then again that might not have been the case when
Prisonshake wrote and recorded it;
Dirty Moons was cut over a stretch of 12 years, from 1995 to 2007, and Scat Records facetiously refers to it in their promo materials as "an underground rock
Chinese Democracy." Unlike
Axl Rose's infamous experiment in art therapy,
Dirty Moons actually sounds like the work of a functioning rock band, and one that took their time as a consequence of limited cash flow, creative wanderlust, and other life commitments rather than unfathomable creative obsession, and for a work that took so long to take shape,
Dirty Moons sounds remarkably organic and well-focused. If you count the multi-format set I'm Really Fucked Now,
Dirty Moons is in fact the fourth long-player
Prisonshake have delivered amidst a long and steady stream of singles and compilation tracks, and the band has avoided the mediocrity they feared; in the grand Cleveland tradition,
Dirty Moons sounds arty without being the least bit pretentious, with a lean and scrappy guitar attack from
Robert Griffin and tough, propulsive drumming from
Patrick Hawley driving the songs whether they're punk-leaning screeds like "Fuck Your Self-Esteem" or extended journeys through their collective muse such as "Year of the Donk" and "We've Only Tasted the Wine." Even at their most introspective,
Prisonshake never descend into navel-gazing tedium on
Dirty Moons despite its hefty length; while it could have been squeezed onto one CD, this has been released as a two-disc set and has the feel and scale of a double album from the classic era, and this collection consistently shows smarts, attitude, and muscle though all four "sides." While
Prisonshake may have fallen off the indie rock radar since
Failed to Menace appeared in 1994,
Dirty Moons makes it clear they were still making great rock & roll during their years in the woods, and it's one of the most pleasant surprises of 2008.