Before his 1963 performance at the Newport Jazz Festival,
Dizzy Gillespie had already been actively involved in the influential project. As one of the first performers approached for the original 1957 lineup,
Dizzy became a staple in the years to come. This set consists of eight uptempo, Latin and blues influenced jam sessions. "Dizzy Atmosphere," "Morning of the Carnival," "Desafinado," "Gee Baby Ain't I Good to You" are all highlights of this thoroughly exuberant set.
James Moody, who alternates between tenor and alto saxophone and flute, provides smoking solos throughout.
Moody had recently rejoined
Dizzy, having previously been a member his orchestra in the '40s. Hired at
Moody's request was 20-year-old pianist
Kenny Barron, who was also beginning an important stint with
Gillespie. Bassist
Chris White and drummer
Rudy Collins rounded out the rhythm section. Vocalist
Jon Hendricks makes a guest appearance on the rowdy set finale "Vote Dizzy (Salt Peanuts) as
Gillespie was in the midst of his famed presidential campaign. As a bonus, this torrid set also includes
Dizzy's relaxed witticisms intact at a time when more than hints of racial tension permeated the air of our nation.