The expanding musical universe of
Rahsaan Roland Kirk continues its orbit on
Domino. While always true to his exceptional talents,
Kirk's previous efforts are somewhat derivative when compared to his later and more aggressive sound. On
Domino, the genesis of his more assertive presence is thoroughly evident. Additionally, this disc features several impressive originals, as well as the most distinctly branded cover tunes to date, including the intense bop of the title track. As evidenced throughout the album,
Kirk's compositions are becoming denser and more involved. "Meeting on Termini's Corner" -- an ode to the legendary Five Spot club -- mimics the off-kilter rhythms of
Thelonious Monk. The tenor sax solo that rises through his multi-instrumentation is stunning. The contrast between the lilting flute work, which bookends "Domino," and the stirring tenor sax solo at the center is yet again indicative of the boundaries
Kirk would be approaching. However, it's the Latin-tinged "Rolando" that might best display the unmistakably singular sound that comes from the stritch -- a
Kirk modified second generation B flat soprano sax -- and the tenor sax, when performed simultaneously. The warmth and clarity are at once unique and hypnotic. Another prime example of the multiplicity in
Kirk's performance styles can be heard on "I Believe in You." The juxtaposition of the husky tenor with the spry manzello provides a false sense of balance as
Kirk delays combining the two until the final chorus. This produces a surprising and memorable effect, as
Kirk's arrangement does not anticipate the finale. The 2000 CD reissue contains both recording dates for the original album as well as a previously undocumented session that includes
Herbie Hancock(piano),
Roy Haynes (drums), and
Vernon Martin (bass). Additionally,
Domino was the first album to feature
Kirk's live band of
Haynes,
Andrew Hill (celeste/piano), and
Henry Duncan (percussion) on several tracks.