George Clinton's most focused album of the '90s slams a barrel of P-Funk down your throat without even giving you the opportunity to swallow. The
P-Funk All Stars get a co-credit on this one, bouncing and funking alongside their leader nearly every step of the way. In typical
Clinton fashion,
Dope Dogs is all over the place: funk, R&B, hip-hop and ass-busting beats cover most of the ground. It all sticks together, however, on a loose-grooved concept about dogs (hasn't most of Clinton's post-"Atomic Dog" stuff been leading to this anyway?), the government and drugs, and how they're tied together in one huge nationwide conspiracy (it makes even less sense on record than it does here). But
Clinton always has been about the funk of the matter, and
Dope Dogs clearly has that, and its tight astro-rhythms, in the right place.