The first solo work by this Brazilian keyboardist, who also plays in the Brazilian neo-progressive rock band Apocalypse, is a perfect example of how to combine an infinite quantity of timbres created in different synthesizers and use them as tools to explore human sensations. The song names explain the exact idea of the references and the atmosphere pursued by the artist. Actually,
Dreams travels between symphonic, transcendental themes and cosmic lyricism. Listeners will certainly note several influences on
Fritsch's style, such as
Edgar Froese,
Vangelis,
Klaus Schulze, and
Jean Michel Jarre. This CD is electronic music that serves human sensations. ~ Cesar Lanzarini