For this generally upbeat session -- recorded in Holland --
Adams is joined by co-leader and longtime colleague pianist
Don Pullen, and is backed by drummer
Dannie Richmond and bassist
Cameron Brown.
Richmond spurs the saxophonist on, while
Brown strikes hard in support, resulting in some strong solos by
Adams on tenor sax.
Adams seems to glide effortlessly up and down his horn, his patented licks never tiresome. Most of the original tunes are blowing vehicles, which work well with the superb talent represented here.
Pullen is more pensive than usual, but always effective. The lyrical flute work by
Adams is a pleasure, but it lacks the verve of his saxophone playing. Some of the best moments come from the interaction between
Pullen and
Adams, whose legacies left an indelible imprint on late 20th century jazz.