Happily settled on Creation Records -- their understandable spiritual home, given the
My Bloody Valentine connection - on their second album, the
Boos create a fine but limited ode to the icons of fuzzpedals, melancholy and hooks. At the time of release,
Forever seemed little more than yet another blissout-by-numbers, but looking back on it there's more here than on first blush. Still,
Forever is more an anticipatory release, signaling the great leaps forward to come rather than standing on its own.
Carr in particular is still clearly enthralled by
Kevin Shields' groundbreaking guitar work, with queasy riffs and shadings plentiful throughout. Producer
Ed Buller does a solid job in tweaking the then-standard
Boo sound, capturing the group's straightforward rock side and its experimental tendencies with inventive, lush arrangements. Check out "Lazy Day," a brief but effective number where
Carr's nuclear-strength guitars are interrupted by sudden shifts to vocals and acoustic strumming with a rapid, breathless pace.
Sice is the group's secret weapon; his sweet, choirboy vocals add gentleness and serenity to the proceedings, particularly "Does This Hurt?," the album's most memorable number. Based on a fine all-around band performance and
Carr's gorgeous feedback shimmers and skyward solos,
Sice's heavenly singing provides the perfect hook at the center of it all. Other high points include the opening "Spainard," with a lovely performance heightened by guest trumpet from
Kick Horns member
Roddy Lorimer.
Forever lives up to its title well enough: everything's alright, but not yet truly astounding.