Fields, the debut album by
José González's band
Junip, was nearly a decade in the making, and it sounds like it. Not because it’s particularly elaborate -- actually, in many places, it’s nearly as spare as
González's solo work -- but because the chemistry evident on these songs only comes with time.
González and his bandmates, keyboardist
Tobias Winterkorn and drummer
Elias Araya, began playing together in the late ‘90s. Though they went in different directions for several years, with
Araya studying art and
Winterkorn teaching and building a studio while
González made a name for himself as a solo singer/songwriter,
Fields' simple, confident, surprisingly easy feel shows that
Junip was never far from their minds. They sound like a real band, and
González is as much a team player here as the other two-thirds of the group; while “To the Grain” could have appeared on one of his own albums, most of these songs are fleshed out in their own unique way. “In Every Direction” kicks off the album with hypnotic beats and keyboards that have a much more rock feel than anything
González has done on his own, while “Tide” closes it with big drums and drones. In between are songs filled with interesting, but not showy, textures and ideas, from “Rope & Summit”'s acoustic Krautrock motorik to “Sweet & Bitter”'s distorted beats. “Howl” is another standout, futuristic folk-blues with percussion that sounds like an impromptu rhythm tapped on a water glass. Elsewhere, jazz and the repetition-based Ethiopian music
González grew up with make their presences felt, giving
Fields a subtly exotic feel that sets a lingering mood. Indeed, mood sometimes overtakes songwriting, with tracks like “Without You” and “Off Point” focusing more on atmosphere than melody. Despite this, it’s a real pleasure to hear
González thinking and playing bigger here with the help of his friends.
Fields is intriguing in a low-key way that grows with repeated listening and will make
González fans into
Junip fans. ~ Heather Phares