As a consummate display of
Atkins' refined fingerpicking style, this album sets its own lofty standards. A nearly invisible rhythm section underpins
Atkins' one-man guitar ensemble with very subtle rhythm support on side one, where each number shines like a finished gem. To cite two examples, "Swedish Rhapsody" has dignity and subtle swing -- the perfect expression of a country gentleman -- and the note selection on "Liza" is astonishingly right every time. On side two,
Atkins goes it alone, often leaning toward short, sometimes hokey classical pieces, the exception being "Unchained Melody," which has a simply stated first chorus followed by an echo-delayed overdubbed second chorus. In general, the tunes with rhythm on side one are more ingratiating than the unaccompanied pieces on side two, yet they all display a relaxed, confident musicality at all times.