It isn't hard to understand why some people have incorrectly assumed that bassist
Avishai Cohen and trumpeter
Avishai Cohen are the same person. They have the same name, both are jazz musicians, both are originally from Israel, and both moved to New York City in the 1990s. But they are definitely two different people; besides, the bassist grew up in Jerusalem, whereas the trumpeter's home town is Tel Aviv.
Flood is by the trumpeter -- not the bassist -- and this 2006 recording is the second part of his "Big Rain Trilogy." Progressive rock, power metal, and new age certainly don't have the market cornered on concept albums; there have been plenty of them in jazz as well, and
Cohen has been quoted as saying that he considers this instrumental CD "the description of a flood, much like in the days of Noah, but not in an attempt to tell the biblical story. The music does not tell the story from the point of view of the human beings, but rather, from the point of view of nature." If that concept makes your head spin, fear not -- the post-bop material (all of it composed by
Cohen) isn't overly abstract and is actually fairly accessible.
Cohen's trumpet playing is pleasingly lyrical and melodic, and his appreciation of
Miles Davis' use of economy serves him well on reflective offerings like "Heavy Water" and "Sunrays over Water." Like
Davis and
Chet Baker,
Cohen (who forms an acoustic trio with pianist Yonatan Avishai and percussionist
Daniel Freedman) chooses his notes carefully and wisely. But
Davis is hardly his only influence;
Cohen has a bigger tone, and his appealing, expressive lyricism also owes something to trumpeters ranging from
Don Cherry to
Tom Harrell to
Freddie Hubbard.
Flood is a memorable and impressive demonstration of
Cohen's talents as both a soloist and a composer. ~ Alex Henderson