This isn't
Graham's most focused or impressive album, but is basically in the same league as most of his early catalog. It's more jazz-oriented than most of his work; he sings rather less than usual and occasionally goes into lengthy improvisations (as on his cover of "The Work Song").
Graham's wife, Holly, gets co-billed, as she did on his previous album, Kaleidoscope, but actually she contributes only to a few numbers; she's more of a guest artist than a true collaborator. Indian/raga influences come into play once in a while, and on the whole it's somewhat quirkier than his previous string of albums. It would also be the last the public would hear from
Graham on record for quite some time, as he found himself without a contract for most of the 1970s. ~ Richie Unterberger