With such an abundance of repertoire for the solo violin, it's a curiosity why violinists seem to focus on such a narrow swath of these pieces. On her MSR Classics album,
Going Solo,
Stephanie Sant'Ambrogio explores some of the lesser-known repertoire not only for solo violin, but solo viola as well. Her program ranges from the early Fantasia No. 7 of Telemann to the world-premiere recording of
James Winn's 2008 Pibroch for solo violin.
Sant'Ambrogio's is typically straightforward and no-nonsense. There are times when a little bit more emotional liberty might be desired. How about a bit more ferocity in the second movement of Porter's Suite for viola alone? Or a bit of sensuality in the Sarabande of Ysaÿe's Op. 27/4 Sonata for solo violin? Missed opportunities such as these result in a performance that's relatively successful from a purely technical standpoint, but a bit lackluster musically. MSR's recorded sound is exceptionally dry and close, making it difficult for
Sant'Ambrogio to produce long, smoothly connected lines; it also picks up on every tiny little production noise. As a result of this recorded sound quality,
Sant'Ambrogio's violin doesn't have as much of a developed, warm sound as might be hoped for. Her viola fares better, producing a richer, more resonant tone.