Mediocre, noodly mid-'70s outing, unreleased at the time, which strongly reflects the chops-heavy ethos of the period's British prog-rock. There's a bit of a
Jeff Beck-type fusion influence here, some country-rock touches there, occasional
Steely Dan-esque structures, and straight-ahead, tech-savvy, pedestrian boogie as well. The best place to hear
Gustafson's talents is in the basslines of
Roxy Music's "Love Is the Drug," not here. ~ Richie Unterberger