Belgian guitarist
Pierre Vervloesem blasted into the music world with
Peter Vermeersch's hyper-energetic
X-Legged Sally at the beginning of the 1990s. His own solo albums have ranged from
XLS-style ultra-tight sax-fueled avant prog to multi-tracked keyboard and electronic "knob twiddling" to proggy hard rock and metal, highlighted by his six-string pyrotechnics and touches of
Zappa-esque humor. For listeners seeking top-notch guitar-heavy instrumental prog -- with plenty of in-the-moment improvisation -- the 2002 eponymous album by
Vervloesem's powerful
Grosso Modo quartet is a fine place to begin investigating the guitarist's world. A studio recording with live immediacy (and plenty of effects wizardry),
Grosso Modo rocks through memorable and even tuneful themes, detours into noisy improvs, and consistently opens up surprising territories in sound. In addition to
Vervloesem on guitar and bass, the killer
Grosso Modo lineup features bassist
Guy Segers (
Univers Zero), drummer
Charles Hayward (
This Heat,
Massacre), and keyboardist
Peter Vandenberghe (
XLS,
Univers Zero,
Flat Earth Society).
Segers is thunderously thick and heavy as opening track "Hairdressers Go Home" kicks in, but after attacking your ears with an ascending wall of sound,
Vervloesem goes twangy in a surf-tinged unison line with
Vandenberghe's sustained keyboard voicing and the band is soon sprinting through fast-paced but rock-hard swing, with a swooping split-toned screaming guitar solo unleashed over the top. While
Vervloesem and
Vandenberghe ascend into outright noise and
Segers' fingers race around his fretboard like a seasoned jazzer in hyper-bop mode,
Hayward bashes and crashes but never gives up the pulse until emerging from the roaring tumult with a slowed-down thwacking to accompany
Segers' return to the heavy theme.