Hanon: The Virtuoso Pianist (Part II: Transcendent Exercises for Preparing the Fingers for the Virtuoso Exercises)

Exercise Twenty-One (Exercise for 3-4-5 fingers)

Exercise Twenty-Two (Exercise for 3-4-5 fingers)

Exercise Twenty-Three (Exercise for 3-4-5 fingers)

Exercise Twenty-Four (Exercise for 3-4-5 fingers)

Exercise Twenty-Five (Exercise for 1-2-3-4-5 fingers)

Exercise Twenty-Six (Exercise for 1-2-3-4-5 fingers)

Exercise Twenty-Seven (Prepares the. 4th and 5th fingers for the trill given further on)

Exercise Twenty-Eight (Exercise for 3-4-5 fingers)

Exercise Twenty-Nine (Preparation for the Trill, for all five fingers)

Exercise Thirty (Trill alternating between 1-2 and 4-5)

Exercise Thirty-One (Exercise for 1-2-3-4-5 fingers, and extensions)

Exercise Thirty-Two (Turning the thumb under the 2nd finger)

Exercise Thirty-Three (Turning the thumb under the 3rd finger)

Exercise Thirty-Four (Turning the thumb under the 4th finger)

Exercise Thirty-Five (Turning the thumb under the 5th finger. This exercise is of the highest importance)

Exercise Thirty-Six (Another example of turning the thumb under)

Exercise Thirty-Seven (Special exercise for turning the thumb under)

Exercise Thirty-Eight (Preparatory exercise for the study of scales)

Exercise Thirty-Nine (The 12 Major Scales, and the 12 Minor Scales)

Exercise Forty (Chromatic Scales)

Exercise Forty-One

Exercise Forty-Two (Extension (stretching) of the fingers in chords of the diminished seventh, in arpeggios)

Exercise Forty-Three (Extension of the fingers in chords of the dominant seventh, in arpeggios)