The first fact one needs to know about
the Harry Allen-Joe Cohn Quartet is that it is, as described in the liner notes, a "working band." This may sound like a negligible fact on
Hey, Look Me Over, but it isn't. A number of famous combos in the history of jazz have only played together in the studio. Here, however, guitarist
Cohn, tenor
Allen, bassist Joel Forbes, and drummer Chuck Riggs have developed the synchronicity that only comes from performing together night after night. For
Hey, Look Me Over, that equals an hour of lovely ensemble work highlighted by some well-wrought guitar and tenor workouts on a solid set list. The next thing one would want to know about
the Harry Allen-Joe Cohn Quartet is that they play traditional mainstream jazz with such pizzazz that one would never mistake it for regurgitated classics. With two or three exceptions, this is an upbeat, happening set, with vibrant versions of
Charlie Christian-
Benny Goodman's "Seven Come Eleven" and the title cut. "Seven Come Eleven," in particular, is a six-minute free-for-all, with superb back-and-forth exchanges between
Cohn and
Allen played against Forbes' busy bassline and Riggs' frantic backbeat.
Hey, Look Me Over is the kind of tuneful, well-executed album that makes the listener feel good. ~ Ronnie D. Lankford, Jr.