The first album from
Dagmar Krause,
Chris Cutler, and
Fred Frith's post-
Henry Cow project is one of the art rock masterpieces of the 1970s. It's as politically potent as
Henry Cow's more strident work, but couched in more poetic and provocative terms. Opening with
Bertolt Brecht's "On Suicide," with
Krause declaiming the playwright's bitter lyrics in her semi-operatic style to the wheezing accompaniment of
Frith's harmonium, the album continues in that uncompromising vein. Although most of the other members of
Henry Cow guest, with reeds player
Lindsay Cooper and keyboardist
Tim Hodgkinson playing on a majority of the 13 songs,
Hopes and Fears is considerably more focused and powerful than that group's often scattershot albums. The songs are built on
Cutler's impressively varied drumming (often on electronically modified instruments), and the amazing variety of sounds
Frith is able to coax out of a battery of electric and acoustic guitars, but there's enough space in the music for
Krause's unique vocals to shine. Highlights include the epic, multi-part "In Two Minds," parts of which are as close as
the Art Bears ever come to conventional rock music (which is to say, not very close at all, but there's an electric guitar solo), and the puckish instrumental, "Moeris Dancing." ~ Stewart Mason