Though a lot of press releases these days claim their CD "combines elements of
Radiohead,
Coldplay, and
Doves only to reveal some sub-standard, shambolic, whining, Anglophilic mess of self-absorption, this is one of those rare LPs that reaches for those Brit atmospheric heights and yet doesn't crash unceremoniously right back down to ground, wings burned off by the unforgiving sun. No: instead,
UHF positively glides and soars!! Helped greatly by fantastic production from the man behind the desk on the last rather good
Dandy Warhols LP, Gregg Williams, this Portland, OR psych-pop quartet come across like a 2001
Byrds, a pretty
Beatles, a moodier
Velvet Crush, a graceful
And Also the Trees, and a late-period
Ride (circa
Carnival of Light) sort of group. They're all full of gauzy passages, sparkling vocals, and sharp songs that draw out the pleasures like a well-written short story. But they're flexible, too, and not the least bit gloomy or despondent -- they're just damn lovely and rather heartfelt. See the
Bacharach horns from the amazing
Eric Matthews (who really needs to make another LP!!!) on the
Church-like "She's Going Up." What sounds like a neat banjo and slide guitar, and then a flamenco trumpet on the bouncy "Easy," a twang of sitar amidst twinkling guitar passages on "Toast," or the playful
Diamond Dogs "We Are the Dead" organ on the dreamy-little "Dear Prudence"-ish ballad, "First Thing in the Morning." Singer Jeremy Leff had already proven himself a promising writer on two previous LPs, but this is a huge leap of craft and sound, and it sounds near-perfect from start to finish. A highly accomplished record from one of the best emerging new U.S. bands you've never heard of; this sort of full-on artistic success isn't "easy" at all. Investigate! ~ Jack Rabid