Brian Godding and
Jim Cregan were still
Blossom Toes' chief songwriters on their second album, but the LP stands in bold contrast to their debut in sound and attitude. Having scuttled the orchestras and developed their chops in the two-year interlude, the record bears the influence of heavy California psychedelia and
Captain Beefheart with its intricate, interwoven guitar lines and occasional gruff dissonance. The more serious instrumental approach spills over to the lyrics, which are somber and at times even gloomy, occasionally reflecting the social turbulence of the late '60s with their uncertain tenor and references to ominous "peace loving men" and "love bombs." Far less uplifting than their debut, the weighty approach is leavened by the close harmonies and sparkling guitar interplay. While not as memorable as the first album, it's above-average late-'60s psychedelia that almost acts as the downer flipside to the stoned, happy-face ambience of their early work. The 2007 Sunbeam reissue adds much value with the addition of lengthy, historical liner notes with many quotes from the bandmembers, as well as seven bonus tracks. These include both sides of the non-LP single "Postcard"/"Everyone's Leaving Me Now," the B-side of which is a fine, wistful jazz-pop number; a demo of a song from
If Only for a Moment, "Peace Loving Man," that's considerably different from the version on the LP; demos of a couple
Brian Godding originals, "Ever Since a Memory" and "Nobody But," that didn't make the band's official releases in any version, though they were worthy enough to have qualified; a live version of another song from
If Only for a Moment, "Listen to the Silence," and a final unreleased cut, "New Day" (with
Julie Driscoll and
Reggie King on backing vocals), that would have been their final single, but only made it to the test pressing stage (and was subsequently re-recorded by B.B. Blunder). ~ Richie Unterberger