This early recording by
Joe Henderson is not only one of the finest of all of his recordings, but is also a high point for 1960s jazz. At this point in his career,
Henderson was a full-time member of
Horace Silver's combo and did not yet have a steady band in his hire. He is joined on
Inner Urge by veterans of other combos:
McCoy Tyner and
Elvin Jones from
John Coltrane's unit and
Sonny Rollins sideman
Bob Cranshaw. The presence of these luminaries aside,
Inner Urge is home to two of
Henderson's best (and best-loved) compositions: "Inner Urge" and "Isotope." The leader's solo on the title track is a marvelous thing, full of melody as well as anarchic bursts of sound, which is in perfect keeping with the spirit of the song's probing, searching theme. The other musicians support
Henderson nicely as well as turning in some strong solos of their own.
Tyner especially sounds fantastic on this record. Although not the equal of the leader in terms of the quality of his lines or the overall sense of composition of his solos, his performance is at least the rival of
Henderson's in terms of raw kinetic power. The other great song on "Inner Urge," the
Monk-ish "Isotope," is another ideal showcase for
Henderson's total command of his instrument. The remaining tracks on
Inner Urge are also fantastic, especially the wailing cry of "El Barrio" and the
Henderson-altered head to "Night and Day," but the first side, even if taken alone, is by itself enough to guarantee this album as perhaps the best
Henderson recorded in his long and illustrious career, and stands easily alongside the best records of the era. ~ Daniel Gioffre