Since
Full Moon Fever was an unqualified commercial and critical success, perhaps it made sense that
Tom Petty chose to follow its shiny formula when he reunited with
the Heartbreakers for its follow-up,
Into the Great Wide Open. Nevertheless, the familiarity of
Into the Great Wide Open is something of a disappointment.
The Heartbreakers' sound has remained similar throughout their career, but they had never quite repeated themselves until here. Technically, it isn't a repeat, since they weren't credited on
Full Moon, but
Wide Open sounds exactly like
Full Moon, thanks to
Jeff Lynne's overly stylized production. Again, it sounds like a cross between latter-day
ELO and roots rock (much like
the Traveling Wilburys, in that sense), but the production has become a touch too careful and precise, bordering on the sterile at times. And, unfortunately, the quality of the songwriting doesn't match
Full Moon or
Let Me Up (I've Had Enough). That's not to say that it rivals the uninspired
Long After Dark, since
Petty was a better craftsman in 1991 than he was in 1983. There are a number of minor gems -- "Learning to Fly," "Kings Highway," "Into the Great Wide Open" -- but there are no knockouts, either; it's like
Full Moon Fever if there were only "Apartment Song"s and no "Free Fallin'"s. In other words, enough for a pleasant listen, but not enough to resonate like his best work. (And considering this, perhaps it wasn't surprising that
Petty chose to change producers and styles on his next effort, the solo
Wildflowers.) [
Into the Great Wide Open was re-released on LP in 2017.] ~ Stephen Thomas Erlewine