Basically an extension of his 1965 debut,
Bert Jansch's second album is perhaps a bit lighter in mood and doesn't boast quite as strong material, although it's nearly in the same league. Includes one of his most explicitly political songs ("Anti-Apartheid"), his first recording with
John Renbourn ("Lucky Thirteen," a
Renbourn original), and his first use of banjo on record ("900 Miles").