Credited only to
Kimmo Pohjonen's name,
Kluster is actually a duo project with sampler artist Samuli Kosminen. Following the release of this album, the pair would start performing under that moniker. The title -- and direction -- of this album also contributed the "K" in
KTU,
Pohjonen and Kosminen's subsequent collaboration with King Crimson's
Trey Gunn and Pat Masteloto.
Kluster (the album) sees
Pohjonen extrapolating on the more beat-driven aspects of his debut recording
Kielo. The more Scandinavian folk elements are out, the rockier side gets more room to shine, and experimentation pervades every corner of the album. Every sound heard was produced either by
Pohjonen's accordion or voice. The accordionist is already prone to use digital effects to loop and manipulate his own playing. In addition, Kosminen plays accordion and vocal samples taken from
Pohjonen. If
Pohjonen strikes the body of his instruments a few times, Kosminen picks up on it and quickly produces a rock-like beat. Elsewhere, the samples are turned into abstract electro-acoustic pieces. Through it all,
Pohjonen's unique form of songwriting prevails: rock, even progressive rock riffs on accordion paired with an unshakeable folk feel. Tracks like "Ohimo," "Keko," and "Voima" are full-fledged prog rock tunes -- you can actually hear how
Gunn could fit in his Warr guitar licks. It's no surprise that
KTU performed these songs live. If on
Kielo accordion and technology blended together to produce timeless music, things are different on
Kluster. The instrument itself becomes more of a source than the center of attention. There is still plenty of virtuosic playing, but it is often hidden deep into the thick arrangements. Accordion enthusiasts should start with
Kielo. Prog rock fans who want more after hearing
KTU's music should proceed here. ~ François Couture