Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as
Dean Martin,
Lena Horne, and
Peggy Lee were recording with castanets and bongo drums.
Peggy Lee was so successful at the style that she cut two albums of light pseudo-Latin jazz in 1960. Like
Peggy Lee,
Julie London combined a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal. But while
London had
Lee's stripped-down musical approach, she just didn't share her unrelenting rhythmic vocal drive or her innate feeling for exotic rhythms. It doesn't help that
London is paired with arranger
Ernie Freeman, who was usually better at crafting Nashville and soft rock style charts than Latin jazz arrangements. This isn't a bad album --
London sounds casual and confident throughout -- but it is a rather bland one, and isn't blandness what these types of exotica albums are supposed to be fighting against?
Latin in a Satin Mood ends up sounding exactly like what it was intended to be -- an aid to put a little vanilla Latin sparkle in suburban American bedrooms. If you want your
London in the Latin style, then try her excellent
Getz/
Gilberto-style tribute to
Cole Porter,
All Through the Night.
Julie London's affinity for West Coast jazz and her melancholy emotional pull were much better suited to bossa nova than to Caribbean Latin music. ~ Nick Dedina