A nice, if at times overbearing, mid-'70s
Franklin set. She was still singing with the stunning delivery, amazing timing, and majestic soul that highlighted her late-'60s releases. Her version of "Until You Come Back to Me (That's What I'm Gonna Do)" is the only one that might be superior to
Stevie Wonder's great original, while "I'm in Love" and the title cut are prime
Franklin. ~ Ron Wynn