There's very little to distinguish
Lucky Seven from
Heads,
Sign of the Times,
Touchdown and other forgettable studio albums that
Bob James recorded in the late 1970s. The keyboardist had carved out a niche for himself playing uncreative background music, and he obviously felt that the easiest way to maintain his commercial success was to make sure one studio project was as contrived and formulaic as the next. Despite employing such talented musicians as Michael &
Randy Brecker,
Eric Gale and
Steve Khan,
Lucky Seven is remarkably boring. "Rush Hour" and "Big Stone City" sound like 1970s movie music at its corniest, and the adult contemporary number "Friends" is unbearably insipid. Whether you're looking for jazz, R&B, disco or pop,
Lucky Seven is among the many
James albums that should be avoided.